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But I didn’t think much beyond that.Ĭarel Struycken, in the role of Lurch: I didn’t really see it as a political commentary.Ĭarol Kane, in the role of Granny Addams: Call me shallow, but I didn’t think of it that way. ( Laughs.)Ĭhristopher Lloyd, in the role of Fester Addams: I suppose it’s a takeoff of standard family values. So, you know, I might not have caught that. I like to believe that the Addams Family is far more loving and accepting than their enemies.Ĭhristina Ricci, in the role of Wednesday Addams: I didn’t see the film as a political commentary, but I was only 12 years old at the time.
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In Republican terms, “family values” is always code for censorship and exclusion, and Republicans still refuse to respect or even acknowledge, for example, LGBTQ families. I did also want the movie’s name to be a response to the Republican Party’s constant harping on “family values,” as if only conservatives could define a loving family. I was so glad we were able to restore Addams’ perfect choice. For example: Addams originally wanted to name the family baby Pubert, but the New Yorker rejected the name as too provocative. I tried in every way possible to pay tribute to his delirious genius. Rudnick: The primary influence on the Addams Family Values script was, of course, the great Charles Addams.
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The series really required a slightly different tone in order to keep viewers’ interest and to keep the characters alive. But, as I recall, Addams Family Values very much felt like a continuation of the first film. I think the first film was very much a classic Addams Family story while the second one took some steps in various other directions. The studio never said, “You can’t toss a baby off the roof,” so I was delighted to let my imagination run free.Īnjelica Huston, in the role of Morticia Addams: I think the script for the second film was maybe a little more acerbic than the first film, somehow.
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One of the great advantages of writing Addams Family Values was that it was a mainstream studio film that was never required to be wholesome.
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I think she pointed out that it was simply more emotionally satisfying and necessary to have the real Fester return to his loving and odd family. If I remember correctly, Christina Ricci explained why Fester should be the real deal, and she, as always, made perfect sense and was extremely helpful. For example: we were never quite sure if Uncle Fester should be the real thing or an imposter. I re-wrote the first Addams Family movie, though its plot was always freewheeling. Paul Rudnick, in the role of the film ’ s real-life screenwriter: The success of both Addams Family movies is due primarily to producer Scott Rudin and director Barry Sonnenfeld they assembled such an extraordinary and elegant cast. In time for the 25th anniversary of Addams Family Values ’original theatrical release, The Hollywood Reporter spoke to some of the film’s key collaborators about family values, heavy makeup, and dropped eyeballs. But it was a hit with critics and remains popular among fans. The film faltered at the box office, where it earned $48.9 million globally - $140 million shy of the original. In this scene, Wednesday essentially razes the camp counselors’ all-smiles dissembling, and does it with a big, infectious grin of her own. Bush-era slogan of “family values.” Addams Family Values’ political commentary fittingly comes to a head during a Thanksgiving-themed set piece: Wednesday stars in a Thanksgiving play at her laughably conservative summer camp, Camp Chippewa. The Addams Family - led by father Gomez (the late and much-missed Raul Julia) and mother Morticia ( Anjelica Huston), and expanded by the additional presence of newborn son Pubert (Kaitlyn and Kristen Hooper) - may be socially maladjusted, but they’re also genuinely affectionate in ways that screenwriter Rudnick intended as a sharp contrast to the behavior of conservative Americans who rallied behind the George H.W. The 1991 Addams Family necessarily plays up a lot of Addams’ cheeky dad-joke-friendly humor while Addams Family Values puts a much greater emphasis on sarcastic, bratty humor that’s best exemplified by Christina Ricci’s morbid, quippy Wednesday Addams and Joan Cusack’s gold-digging femme fatale Debbie Jellinsky, the latter of whom perfectly underscores the difference between the Addams Family’s monstrous-but-in-a-good-way thing and Debbie’s monstrous-but-in-an- America ’ s– Most– Wanted-way vibe.